Tag: JSBach巴哈

[:en]How to Practice a Fugue (II)[:zh]怎樣練習賦格曲 (II)[:]

[:en]https://soundcloud.com/teresawongpiano/how-to-practice-fugue-iienglish[:zh]https://soundcloud.com/teresawongpiano/fugue-ii-chinese[:]

[:en]How to Practice a Fugue (I)[:zh]怎樣練習賦格曲[:]

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how to practice a fugue?

1.play each voice separately.

e.g. if there are four voices,

Step 1. play only soprano voice

Step 2. play only alto voice

Step 3. play only tenor voice

Step 4. play only bass voice

next,

2. Play two voices together

Step 5. play soprano and alto voices

Step 6. play tenor and bass voices

Step 7. play soprano and bass voices

Step 8. play alto and tenor voices

etc.

It’s very important to hear firstly each individual voice before practicing them together.

The concept is very simple:

Imagine a fugue is played by a string ensemble, so it would be first violin + second violin + viola + cello. Do they practice together without practicing on their own? No! Only now YOU the pianist has to play every single line together yourself. Therefore, if you really want to know the voices well, you must practice listening and playing each of them separately. In the course of learning each voice, you get to understand how each of them works and how it sounds. Then, when you put them together, you would find it much easier to hear each voice and bring out whatever musical patterns you need to according to the importance of them respectively. 

The same concept can be applied to practicing any polyphonic writing or simply, left hand-right hand situation. In order for the voices / two hands to coordinate well together in harmony and balance, they must be able to perform on their own terms first. And to be able to perform on their own terms first, you must train them to do so separately. Often that’s the solution students miss out on taking (“too boring!” “too much time!”), and that’s the main reason why they don’t get familiarised with the piece they have been working on even for a long period of time. Drilling without strategy on how to practice and precision on details will never get to the point where one truly knows about the piece albeit hours spent at the piano.

[:zh]https://soundcloud.com/teresawongpiano/nfcpctxqdcms[:]

[:en]J.S. Bach: Italian Concerto, second movement, “Andante” [:zh]J.S 巴赫:意大利協奏曲,第二樂章 “如歌”[:]

[:en]https://www.youtube.com/watch?v=wVPR7Hl5hi4[:zh]https://www.youtube.com/watch?v=wVPR7Hl5hi4

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[:zh]鋼琴文憑考試預備: 樂曲分析和口試 (巴哈觸技曲E小調, BWV 914: 第一節) [:]

[:zh]Piano diploma exam preparation: Analysis and Viva voce (Bach: Toccata in E minor, BWV 914, Part I)

 

https://www.youtube.com/watch?v=j7941AlRHBA[:]

[:en]References for Piano Music of Classical Period [:]

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Here are some great references for anyone who is serious in learning more in depth about piano/keyboard music of the classical era:

CPE Bach’s treatise: Versuch über die wahre Art das Clavier zu spielen (Essay on the True Art of Playing Keyboard Instruments)

It’s available in German and French at IMSLP: http://imslp.org/wiki/Versuch_%C3%BCber_die_wahre_Art_das_Clavier_zu_spielen,_H.868,_870_(Bach,_Carl_Philipp_Emanuel) 

For English translation: https://www.amazon.com/Essay-True-Playing-Keyboard-Instruments/dp/0393097161

Czerny’s Op. 500 Pianoforte-Schule

another historic treatise, in particular the second chapter concerning “the proper performance of Beethoven’s works”.  

English translation:  http://imslp.org/wiki/Pianoforte-Schule,_Op.500_(Czerny,_Carl) 

Second chapter on it’s own here: http://imslp.org/wiki/Special:ImagefromIndex/356510     

Rosenblum’s Performance Practices in Classic Piano Music

This is the go-to reference for all aspects of historically-informed performance at the piano Amazon: https://www.amazon.com/Performance-Practices-Classic-Piano-Music/dp/0253206804 

Brown’s Classic and Romantic Performing Practice: 1750 – 1900

Amazon: https://www.amazon.com/Classical-Romantic-Performing-Practice-1750-1900/dp/0195166655/ref=pd_sim_14_4?ie=UTF8&dpID=51zCN6Dra0L&dpSrc=sims&preST=_AC_UL160_SR105%2C160_&psc=1&refRID=MZ31B06KHX63PDSB2767

Malcolm Bilson’s DVDs on performance practice:  

(If you don’t know who he is, go learn here )

https://www.amazon.com/Knowing-Score-Malcolm-Bilson/dp/0801444845/ref=sr_1_18?ie=UTF8&qid=1466971031&sr=8-18&keywords=malcolm+bilson https://www.amazon.com/Performing-Score-Malcolm-Bilson/dp/B006IVOTWU/ref=sr_1_20?ie=UTF8&qid=1466971031&sr=8-20&keywords=malcolm+bilson 

And his recordings:

 https://www.amazon.co.uk/s/ref=nb_sb_noss_1/277-5565438-5991311?url=search-alias%3Ddigital-music&field-keywords=bilson+schubert 

Special thanks to our guest teacher Mr Polanski for this note.

Teresa Wong

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