Tag: TeresaWongPiano

(中文) 學彈琴是否一定要考試?

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About Online Consultation (Piano Diploma Exams)

Choices after grade 8 piano (instrumental) exam: Diplomas (ABRSM/TCL)

(中文) 手腕和手指前臂對齊動作 Part I

Sorry, this entry is only available in 中文.

How to memorise a piece effectively

I get a lot of enquiries about playing by memory. Here are a few useful tips:

1. Mark out the sections and phrases
It’s important to know where a section / a phrase starts and ends – this practice is not only important for memorisation but also in practice and knowing the music more deeply and securely

2. Repeat in small doses
It’s a very useful tool to memorise a piece in small doses first especially if you are new to the practice. Start with one phrase and then two, gradually working up to a whole section. Then work on two sections and more eventually leading up to the whole movement/piece.

For example:
Repeat each phrase 5-10 times. Then two phrases 5-10 times. Then three phrases 5-10 times and so on.

It’s also great to try starting in the middle of a piece – a lot of times when performers have a slip of memory it’s never at the beginning of a piece or not even the beginning of a section/phrase. I encourage my students to start playing /memorising in the middle of the music to see if they can start and continue from there – I call them “safety stops”. It’s like taking a train: it starts and ends at big terminals, but it also travels through and pauses by many small stations / stops in between the whole journey to pick up and drop off passengers. So throughout the whole music journey (the music piece you are playing and memorising), you also need some musical stops to know where you are at currently. It helps you keep track of where you have been, where you are at, and where you are going, until the end.

For me I even memorised from the end back to the beginning just to test my memory of the piece. Most important of all, try to be creative about your memorisation process and think/practice outside of the box – remember, there is no one way to do it right for you, and often, those “weird” ways of doing one thing are THE ways to get you closer and faster towards your goal!

Until next time,

Teresa Wong

Short Online Courses for Piano Teachers/Diploma Students

We are now introducing new online courses and taking enrolment until the spaces are all filled.

Here are the courses and short description: 

Course 1. How to prepare your students for diploma exams successfully

Class 1:

General criteria of exam requirement and repertoire choice 

Class 2:

How to choose pieces for your students 

Class 3:

Examples of repertoire choice and general background of genre/pieces 

Class 4: 

Viva voce questions and preparation 

Class 5:

More on viva voce and programme notes 

Student project presentation: examples of repertoire choices and viva voce questions 

(Class 4/5 are subject to change if most of the teacher students are more inclined to prepare students for Trinity exams instead of ABRSM exams)

Course 2. How to improve your students’ technique 

Class 1:

Piano playing and body utilization 

Concept of Body weight and weight transfer 

Class 2:

Application of body weight and weight transfer 

Relation of body weight and weight transfer to arm/hand/finger movement 

Class 3:

More elaboration on class 2 concepts 

Weight training 

Piano techniques 

Class 4:

More on weight training and piano technique

Application and examples of different techniques

Class 5:

Student Project presentation: application of techniques with chosen music examples 

Course 3. How to analyze and interpret advanced repertoire

Class 1:

General background of musical periods

General development of piano/keyboard instruments

Class 2:

Main genres and their characteristics of keyboard repertoire (Baroque and Classical)

Music examples: form, structure and analysis

Class 3:

Main genres and their characteristics of keyboard repertoire (Classical and Romantic)

Music examples: form, structure and analysis

Class 4:

More on genres and examples of keyboard repertoire

More on background and analysis of keyboard repertoire

Performance practice of each musical period in relation to the development and repertoire of the keyboard instrument

How to analyze and prepare a piece for performance and exam

Class 5:

Student Project presentation: application of knowledge learnt in the course with chosen piece of your own

Total Course time

5 hours

Each class duration

1 hour in total: 45 minutes’ lecture + 15 minutes’ Q & A session 

Total fee per course

Original course fee: $3000

Special course fee for early bird enrolment:  $2500 

Deadline for early bird enrolment:  September 8, 2017

Deadline for all enrolment: September 20, 2017

Commencement of courses (Class 1):

Course 1: September 22 Friday 11am

Course 2: September 21 Thursday 10am

Course 3: September 21 Thursday 11am

Note: We might have more course times if there are more students than open spaces in any of the courses and if students are unavailable at the schedule given above. Contact us directly to request more schedule details.

Payment method:

Pay via PayPal or bank transfer to our HSBC account. (Details will be given after  your enrolment – 100% confirmation of your enrolment will be completed after we have received your payment)

We are also organizing a new course to train new teachers to teach Miss Wong’s piano technique method, so that you can train your students to become a more accomplished performer with avid interest in learning music and playing the piano with confidence, control and dexterity! Stay tuned for this course. 

(中文) 計劃你的鋼琴練習 (II)

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Plan Your Piano Practice Strategy

How to set up your music studio: Purpose of your teaching

How to build a successful music/piano studio (II)

 

 

 

(中文) 網上在線鋼琴諮詢課堂 Online Piano consultation lessons

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Enjoy your piano playing

You know, sometimes when I write, I get really worked up.

You know why? Because I care.

I care about how people teach, and how people learn.

Because I had “teachers” who screwed me up, never taught me anything, implied that I was bad at playing, trashed my confidence, without a care. And I vowed to myself I never would do that to my students, or hir any teachers who would do that to their students.

But I also had some wonderful Teachers who are great at what they do, who are good at their craft not only in playing but also more importantly in teaching. Those are great human beings who have inspired me to do the same for my students, every single day I teach and run my piano school.

So yes I might sound mean sometimes in my post, I am very straightforward and blunt about how I think and feel. And I think my readers would appreciate my honesty here.

Now, back to the main topic (which I always get derailed from for five paragraphs right from the start).

So, I want our students to enjoy playing the piano, and I also want you, my readers, who might not be our students (per se), to enjoy learning music and playing the piano. Why?

Because playing the piano is not a torture. It’s not a punishment. And for sure it’s not boring.

Certainly, it’s HARD sometimes. And sometimes it feels like HELL when you can’t get this one passage or a scale or a sight-reading exercise (gasp!! just think about that emoji that looks like “The Scream” by Edvard Munch) right. That can be a pain for a while. But that’s called struggle, and that’s how we learn and progress after we have managed that struggle.

So, I hope you have learnt something from me so far in the past seven and a half years on this blog – I know it’s hard to find it now as it’s sort of embedded in this complicated website of mine/my school. Anyone find it hard to find my articles on this site please let me know, I might separate this blog back to stand on its own if that helps. What I want to do here is to help you get better and enjoy more in your music/piano journey.

And forgive me if I have not been perfect – because I never said so. I might have made mistakes here and there and didn’t write all so eloquently at times because I was mad/confused/hurt/pained/wronged or whatever, but my intentions will always stay true.

Much blessings to all of you and happy playing,
TW

P.S. Hey, I have a new scales video (series) coming out, check out the first one here!

Some words of encouragement

I know I have written something rather harsh recently, and some readers might feel offended (“look at what she wrote! So negative and mean!”). To that, I am not apologizing at all. I write what I think and I know those who have been reading my blog in the last few years know that; I know they are here to learn and want to become better; and they also know I am not here to kiss anyone’s bottom.

So today, I want to talk about why I wrote that and point out there are reasons why people complain why things don’t work out the way they want them to be. And therefore if you want to learn something new and completely life transforming today, here’s your chance.

I want to bring you – teachers and students and parents – whatever your role is – to your attention why you haven’t gotten what you’ve always wanted, be it the right students /teachers/results.

The reason is : you haven’t tried hard enough.

“What? That’s it? Don’t you know how hard I have tried all these years with time, effort and money? Are you kidding me?”

One thing you have never tried enough is to change your mindset drastically and stick with it.

What do I mean?

You think, whenever you can’t teach well, it is because you don’t have the right student or right tool or right education or right area, or even worse, you don’t believe you can do it.

You think, whenever you can’t play well, it is because you don’t have the right teacher or right piano or right environment or right schedule or right time to have lessons/practice or even start learning, or even worse, you think you have no talent and you don’t believe you can ever play better even you try.

But really, have you tried? Have you gone 100% all the way to believe you can and do something about your teacher/student/lesson/practice situation? If not, for sure you would never get what you want.

Also, you have to really suck it up even when you feel down or frustrated or depressed and upset or painful or lazy or whatever negative emotions that come to you. Don’t let them stop you and derail you from where you want to reach. If you do, success would never happen to you as well. And please keep sulking and get upset with what I just tell you too so you can stop working towards what you want to reach.

And oh, those people who tell you you can’t make it or can’t change or laugh at what you are trying to do? If you want to succeed, stop listening to them. But hey, if you want to take a longer route to success and complain about why they say what to sabotage you, then listen to them so that you can fail at getting what you want.

You need to believe that you can make it happen, whatever it is. The future is in your hands.

So, whatever it is you want to change, YOU are the one who is responsible.
It’s not your teacher or your student or your parent or your child’s teacher.
You can change all that (except who your parents/children are).

If you think your (child’s) teacher is not the right teacher for you, find another teacher.
If you think your student is not the right student for you, finds other student.

I do encourage you to talk with your teacher/student about the issues you might have if you feel it’s about communication. Being sincere and open about the problems is a key step to better teaching and learning.
If you think you don’t know how to teach better, that’s okay, just find a way to learn to be better. Go take a course or even just read and listen more online. Talk with other teachers and ask those who know how and where to get the resources. Learn from better teachers. That’s how we learn. Great teachers are always learning. That’s how they become good and better.

Don’t feel like you are stuck when you can’t solve your teaching situation or playing problem or practice issue. There is always another way to do it.

The point is, have you tried hard enough to change it?

You are the only one who can make it happen for you.

So if you want to succeed, you have to change your mindset and do things differently from now on. And trust yourself, you have the power and ability to do this, because you really can.

Trust. Focus. Believe. And keep moving forward, one small step at a time.

Please don’t “play” the piano

I am going to be as candid as I can ever be in this post, and from now onwards.

It’s not that I wasn’t being truthful or honest before. I was trying to be “kind” and “nice”.

There’s nothing wrong with being kind and nice, but when I was being “too kind” and “too nice”, I found out students became lazy and started to rely on me, meaning they always looked at me for directions, instead of thinking for themselves how to do it.

Playing the piano and perfecting the skills required needs a lot of brainwork, and to that I mean A LOT.

It’s not for those who don’t like thinking and analysing to the deepest.

It is also not for someone who don’t want to move their bodies.

What does that mean? There has ben a stereotype that playing the piano is to “tame” the kids’ temper, like it’s some sort of circus moves. Actually, it sounds more like the teacher is the animal trainer and the students being… you know.
Only I hope your teacher doesn’t have a wipe to hold on to..

First, let me tell you what playing the piano is not:
It’s NOT just for GIRLS
It’s NOT to train boys to sit still
It’s NOT for ANYONE to sit still and NOT move their bodies
It’s NOT just a finger movement

Now, let me tell you what playing the piano is about:
IT IS an activity that requires MIND, BODY, EMOTION , and SPIRIT. (Yes, it is that kind of activity.)
It is an ACTIVE activity, like a SPORT.
It requires BRAIN WORK. – LOTS OF IT.
It requires BODY COORDINATION – hands, feet, eye, torso (upper and lower, even when you are sitting) and oh yeah, brain again, you guess it.
It requires FEELING – yes it does, because it’s ART, an EXPRESSION of EMOTION – otherwise go do maths or play video games. I can’t imagine anyone filling in forms and studying tests with PASSION, that would be weird.
It requires not only feeling for music, but also feeling for your own body, that’s the ultimate way to transform your technique forever. So it requires the player to be in touch with themselves.
It takes FOCUS, DEDICATION, DISCIPLINE, HARD WORK, RESILIENCE, STRUCTURE, SKILLS, TIME, and PATIENCE. – I think there’s more I am missing…oh maybe, PASSION?
It requires FAST RESPONSE. REALLY FAST – so if you like slow motion, go do tai chi in the park with old ladies and men, no offence.
It requires A LOT OF THINKING -it needs a lot of rationalization and analysis, and is therefore NOT for anyone who prefers spoon fed everything or everything shuffled down their throats – or did I mention this point already?
It is NOT cost effective.
It requires PRACTICE, ON YOUR OWN.
It requires REFLECTION, ON YOUR OWN.
IT REQUIRES THINKING, ON YOUR OWN – oh I think I am getting dementia or something, here I am repeating myself again.

So I hope I have told you what it takes to be really great at the piano. Of course, if you just want to be mediocre, keep telling yourself “it’s too hard”, “I don’t have time (for lessons and/practice)”, and “the teacher should tell me everything I need to know!”

Anything great in life requires hard work, resilience, time and patience, and A LOT OF THINKING.

Next post, I might start bashing on “teachers” who think they are teaching, but they are really not!