In this Christmas holiday, we are doing a special discount for ALL online music programs on our teachable platform, and that includes our most popular ABRSM Grade 8 Aural Training Course and Piano Teacher Training Course (Level I).
Today I had a rehearsal for my upcoming concert. After the first run for one of the concert pieces, a member in our group jokingly said to me, “are we good enough to play in the concert?” I was a little startled by her comment.
After I got home from the rehearsal, I thought about what she said. I remember long time ago when I was still studying, I realized one thing, and I believe it was one of the most important ideas I needed to play better. And the idea is,
“Music before me.”
If I am to explain it, I would say, “I have to put away my ego to better the music I make at the piano.”
The “me” is not important when I am playing music. Not in the way we usually think.
Of course there is self expression when we play music. But, when we focus on ourselves, we worry how well or how bad we play, and then how great or how embarrassed we feel accordingly.
Instead we need to focus on how to make the music better. So we do all these things (learn the music, practice, go deeper, and repeat the cycle) and hope we are worthy of the music.
We, when we play the music, are the servant. We are the tool. We, are not important in the music. The music itself it.
So when we play bad, it’s not us that are bad. The music is bad now. We should feel bad about playing the music badly, but not feel bad about ourselves.
When we play well, the music is great. It’s not us that are great. We should feel great about the music, that we have done the music justice.
Taking away ourselves, our ego, is a huge step towards making great music.
I almost forgot about it. I was experiencing it again lately but I was grateful that my friend reminded me today.
This would make me a better musician, to make better music.
The Piano Sonata in D major K.311 is in three movements. The Allegro opens with a theme that is orchestral in conception. After a modulation to the dominant, there is a secondary theme that sounds much more like a keyboard solo with its Alberti bass figures and scale-like melody. Mozart slowly increases the rhythmic intensity of the development section until a sudden stop near the middle, where piano and forte dynamics alternate. The order of events in the recapitulation is unusual.
This course is designed to drastically transform your piano technique forever for the better. With the aid of videos and exercise book, you will be able to not only learn at your pace but also practice efficiently to improve your piano playing in a short period of time
My technique exercise book (pdf copy): “Technique Transformation Piano Exercise Book” (USD$25 value)
Section 1: Demonstration videos on various techniques with reference to Gyorgy Sandor’s “On Piano Playing” (USD$150 value);
Section 2: Demonstration videos on ALL exercises from technique book (30 exercises) (USD$250 value).