Tag: piano technique

[:zh]手腕和手指前臂對齊動作 Part I[:]

[:zh]Part I

https://www.youtube.com/watch?v=Rw0yZ3v7W2k[:]

网上钢琴课程

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教授:专业美国印第安纳大学音乐学院毕业、钢琴演奏硕士、黄颖妍音乐学校创办人黄颖妍老师

出版书籍包括: Technique Transformation Piano Exercise Book / 钢琴技巧改造练习书册,Piano Freedom(暂定: 钢琴真自由),Music on Wings Piano Beginner Course Book 钢琴初阶课程。

网上课程内容:钢琴技巧改造训练,英国皇家音乐学院级别及文凭演奏考试训练,英国圣三日音乐学院文凭演奏考试训练,美国音乐学院面试预备训练,音乐历史、音乐乐理、听力、视唱、键盘技巧、钢琴即兴和伴奏、音乐创作、钢琴演奏等训练,以及音乐学术文章写作。

黄老师的學生遍佈全球各地,包括香港,澳門,中国大陸,新加坡,馬來西亞,印度,斯理蘭卡,澳洲,美國,英國,法國等等。

有兴趣跟黄老师上课的话,请直接联络我们。电邮是twsomusic@gmail.com. 

课程可以以广东话、国语、或英語上课。

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[:en]How to perfect your scales (Part II)[:]

[:en]<iframe width=”560″ height=”315″ src=”https://www.youtube.com/embed/R7AdlDomDkA” frameborder=”0″ allowfullscreen></iframe>[:]

[:en]What is Piano Technique?[:zh]鋼琴技巧的重要性 (一)[:]

[:zh]https://www.youtube.com/watch?v=7C4tODKuUYo[:]

Body Awareness

Recently I am trying to explore more on how to bring students’ attention towards engaging their bodies in the playing.

What do I mean by “body awareness”?

In piano playing, especially in the initial stage of the learning process, many teachers and students place their focus on the fingers and hand shape etc. It is not wrong, and in fact it is quintessential that one should have proper finger stand, in addition to a firm hand grip and right control of the palm muscles. Yet, without the incorporation of the whole body and the energy transfer from it, one’s playing is to a certain extent limited.

In this video, I show briefly how you can start incorporating some body movement into your playing. It is of utmost importance that one should feel free and movable (as opposed to being rigid) at the piano.







Cheers and until next time,

Teresa Wong


P.S. Please give me some comments on the video and/or any other related videos/posts as I have recently received quite some positive feedback on videos especially regarding this topic, thank you.